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Guide to Postproduction for TV and Film, Second Edition: Managing the Process
Ebook Free Guide to Postproduction for TV and Film, Second Edition: Managing the Process
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Product details
Paperback: 355 pages
Publisher: Focal Press; 2 edition (October 31, 2002)
Language: English
ISBN-10: 0240805062
ISBN-13: 978-0240805061
Product Dimensions:
7 x 0.8 x 9.2 inches
Shipping Weight: 1.7 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#418,857 in Books (See Top 100 in Books)
A good book for those who want to know how to manage the process of production and post production. Contains tables, flow charts and practical lists. Be aware, reader, that this book does NOT contain editing theory and/or aesthetics.
The Guide to Postproduction for TV and Film: Managing the Process is an excellent resource for anyone working in the entertainment industry. I haven't been able to find another book that so effectively takes you through the nuts and bolts of post production, from scheduling all the way through to delivery. If you are an entertainment executive, a film student, or anywhere in between, this book will be an invaluable resource. I've been working in the film and television industry for twelve years and this book has helped me in jobs at two major television networks and in feature post production at several studios. The new edition provides accurate and up to date information and is the only book I've been able to find that adequately covers the film laboratory. The Guide is the one book I always have at my desk. I strongly recommend it.
Susan Spohr and Barbara Clarke have created nothing short of a post-production bible. BRAVISSIMO to them both!! I would not have survived the last year in my job without their brilliant book!!! Everything flows in a clear, concise way, bringing the reader visually into the post-production process. Read this book and keep it with you as a reference tool! I guarantee you it is well worth your time!
The Guide to Postproduction for TV and Film: Managing the Process is an excellent resource for anyone working in the entertainment industry. I haven't been able to find another book that so effectively takes you through the nuts and bolts of post production, from scheduling all the way through to delivery. If you are an entertainment executive, a film student, or anywhere in between this book will be an invaluable resource. I've been working in the film and television industry for twelve years and this book has helped me in jobs at two major television networks and in feature post production at several studios. The new edition provides accurate and up to date information and is the only book I've been able to find that adequately covers the film laboratory. The Guide is the one book I always have at my desk. I strongly recommend it.
Nice way to learn some business things, started to be outdated, but overall solid.
Arrived as expected.
I was suckered into buying this worthless book for a survey class I took on Post-Production for Film and Television. What I hoped would be an enabler to my education turned out to be a hurdle: the book is poorly organized, the concepts aren't clearly explained, and the entire text is fraught with spelling errors and grammatical mistakes. When the authors aren't clogging the text with jargon, they're giving you advice on how to do business in this industry. If you work in the industry, as I do now, this book won't tell you anything you don't know already. If you want to learn about the process, this book won't enlighten you. Do yourself a favor and stay away from this editorial disaster!
I had this as a textbook for a film class at UCLA. I used it mostly for the post-production process of the film itself, and found the writing extremely confusing. It seemed an excellent summary for people who already know the material, and who therefore don't need the book. If you don't know it all already, it was a poor explanation. I had to look everything up on the internet to figure out what they were saying.Part of the problem (certainly not all) stems from the use of ordinary words in unusual ways, in the film industry. We say "Film", for instance, when we mean the product, even if it's digitally recorded. Often it isn't film anymore, it's a disk or a cassette, or an external drive. But the writers of the book need to be aware of this in their descriptions.This should have been subjected to beta-readers -- people who don't already know the material, and who could point out areas of confusion. But apparently it was circulated to friends, also in the business, who were not able to put themselves into the position of a newcomer, and see it with new eyes.
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